Richelieu à Richelieu - Musée des Beaux-Arts Orléans

1 - ORLÉANS

The exhibition Richelieu à Richelieu runs from mid-March 2011 until 13 June 2011.

ONE MONTH TO GO!

Its subject is an investigation into the remains and general history of the now-disappeared château de Richelieu, originally a grand palace beyond contemporary compare.  Interiors, gardens, art collections, painting, sculptures.  Many of the artefacts created or assembled in the château by the cardinal-duke were dispersed, firstly by the chaos of the revolution of 1789, and then by the progressive destruction of the building itself in the 1830s, as the family could no longer retain control of the ducal properties even after the restitutions of the post-Napoleonic era.
Many of these art objects grace the great art collections of the world.

Richelieu à Richelieu is being held simultaneously at three locations:
1   The Musée des Beaux-Arts in Orléans, located next to the cathédrale Sainte-Croix, right in the centre of the famous town of Orléans
2   The Musée des Beaux-Arts in Tours, located in the city's former episcopal palace, next to St. Gatien, the cathedral.
3   The Musée Municipal on the place du Marché in the little model town of Richelieu.

See the locations on the map on the right hand side of this blog.

Today we will talk about the part of the exhibition in Orléans, the furthest from the original location of the cardinal's château (174 km, 2hrs 3 minutes, 12.20€ tolls by autoroute A10).

The centre or Orléans is topsy-turvey with the installation of a new tramway system, still 18 months from completion.  So one struggles, through all the works and disruption, to the the 1985 Musée des Beaux-Arts situated just next the town's cathedral, on Place Sainte-Croix.  Once inside, a good part of the gallery's first floor is occupied with the exhibition.  

This part of the exhibition parcours concerns itself with:

1. the authors of the cardinal's project in 1632
2. its influence on the art history of the time and contemporary comments by visitors
3. a large collection of classical statuary and busts, mainly from the exterior of the château and the gardens
4. the drawings of Cannini, made of the statues and busts purchased in Rome in the 1630s
5. a video presentation of the château's history
6. many religious paintings from the cardinal's apartments in the château
7. 6 of the 12 remaining 'battle pictures' from the original total of 20 scenes in the château's gallery
8. the two huge rostral columns from the entrance portico to the château

Orléans was the only part of the exhibition where the organisers frowned on photography, perhaps hoping -  rightly - that we would purchase the 3 inch thick catalogue for 49€. So we cannot offer a photo essay of the exhibition.  

But we reproduce below their summary of the contents in the slim catalogue given to each visitor.  Of course it is written in French, but not too hard to skim, even if the pictures are all one can digest.
We trust they will not object to our assistance to publicise the exhibition and encourage visitors this way.

Merged PDF
A short movie about moving the statues from the Louvre......

Découvrez Du Louvre à l'exposition "Richelieu à Richelieu" sur Culturebox !

.... and a web site of the DRAC (Direction régionale des affaires culturelles) of the Region Centre....

http://www.draccentre.culture.gouv.fr/contenu.php?id=198
....and a blog from Tours
http://theaujasmin.blogspot.com/2011/03/richelieu-richelieu-architecture-et.html

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Paté en croute - the cardinal does 'veal 'n 'am' pie

Trust the cardinal-duke to upstage the old favourite of Englande, veal and ham pie. And even the newly appellation controlé, Melton Mowbray pork pie.

This particular delicacy, purchased in April 2011 for a mere €2.50 (including the third slice FREE), shows how his table resonates down the centuries of history.

Maybe it was the gastro-project of one of his descendants - perhaps the voracious third Duke, inventor of Mayonnaise.  Wikipedia, as yet, stays silent.  

Buying it pre-prepared seems a better bet than cooking it oneself - the collection of ingredients alone would take a morning.

A foie gras core!

BUT it was nice....

http://cuisine.journaldesfemmes.com/recette/338585-pate-en-croute-richelieu

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The head of Henri IV, 'le vert gallant' - Father of Louis XIII

A recently found blog about Paris, Peter's Paris, directs us to an article on the rediscovery of the head of King Henri IV, the founder of the Bourbon dynasty, father of Louis XIII, grandfather of the the Sun King, Louis XIV, protestant-turned-cathothic - 'Paris is worth a Mass', pacifier of the 'Wars of Religion', assassinated by the crazy François Ravillac on 14 May 1610, general lothario and priapic beast (cf Louis XIII!).

Click HERE for the story.

Visit msnbc.com for breaking news, world news, and news about the economy

http://en.wikipedia.org/wiki/Louis_Alphonse,_Duke_of_Anjou
Lost heads are becoming a bit of a theme

Click HERE for what happened to the head of the cardinal duc de Richelieu

Or HERE for the droll story of composer Joseph Haydn's bonce.

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Press release on the 'Richelieu to Richelieu' exhibition

The triple exhibition Richelieu à Richelieu started today, the 12 March 2011, and will run for three months until 13 June 2011.
The three locations are:

• Musée des Beaux-Arts, 45000 Orléans; the antiqities of the château de Richelieu
• Musée des Beaux-Arts, 37000 Tours; the interior decor of the château de Richelieu
• Musée Municipal, 37120 Richelieu; the battle canvases of Louis XIII and the cardinal duc de Richelieu

http://www.loirevalleytourism.com/actu/richelieu-exhibition.html

Below we reproduce the press release for the exhibition (in French)
37_richelieudok

Bernardo Strozzi - 'The personification of Fame'

Bernardo Strozzi (1581-1664) painted it in 1635-6, and it is thought that it was displayed at the head of the grand staircase in the former château de Richelieu.

The painting is a relatively late work, probably from the early years of Strozzi's Venetian period, about 1635-6. It is a far from idealised study of a girl in a darkened setting, equipped with the wings that Fame traditionally possesses. The light falls brightly from the left, highlighting the inquiring face of the sitter and details of her costume, which shows to advantage the distinctive handling of the painter. 

In representations of Fame the figure usually holds a single trumpet, or two of different lengths, symbolising good and ill fame. The significance of the two instruments represented in Strozzi's painting, a golden trumpet and a wooden shawm, is unclear; maybe trumpet for fame and shawm for infamy?

This picture is in the National Gallery London, Room 32.

Richelieu was an important patron of the arts. Portraits of him by Philippe de Champaigne are in the National Gallery collection. The 'Triple Portrait of Cardinal de Richelieu' was intended as a study for a bust by a Roman sculptor. The collection also includes this image of Fame by Bernardo Strozzi, which may have graced the entrance to his château, and Poussin's 'TheTriumph of Pan', which he had commissioned himself.

The painting on the wall in Gallery 32 - it is quite big: 105h x 150w.
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Article in 'Figaro' by ERIC BIETRY-RIVIERRE

Sur les vingt œuvres,qui célébraient les campagnes militaires menées par Louis XIIIet son cardinal, il n'en subsiste que douze.Trois sont exposées au château de Versailles. Les neuf autres,en auvais état, sont entre les mains d'une équipe de restaurateurs. Crédits photo : Le Figaro

Ces grandes toiles, qui ornaient le château du cardinal en Touraine, sont en cours de restauration. Elles seront enfin exposées ensemble au printemps 2011. 

Peu à peu, sous la main minutieuse de Sarah Destrez, de petits mousquetaires réapparaissent. Son pinceau fin court sans hésitation d'un pilulier transformé en boîte à couleurs à la surface de la toile abîmée. À Versailles, cette restauratrice use ses beaux yeux à restaurer des tableaux anonymes couverts de milliers de soldats, endormis dans les réserves et devenus, au fil des ans, autant de puzzles lacunaires.

Est-ce le jeune d'Artagnan qu'on aperçoit au loin face aux troupes des Habsbourg d'Espagne et d'Autriche, dans cette immense vue à vol d'oiseau du combat du Pas de Suse peint quelque temps après 1629? Ce n'est pas impossible, estime Nicolas Milovanovic. Brillant érudit -il vient de cosigner l'excellente exposition «Louis XIV, l'homme et le roi»-, ce conservateur au château supervise depuis octobre une équipe de neuf spécialistes chargés de redonner tout son lustre à ce qui subsiste du programme iconographique de la Galerie des batailles du château de Richelieu (Indre-et-Loire). Un lieu légendaire, considéré comme l'un des plus beaux d'Europe, malheureusement entièrement détruit au XIXe siècle.

La galerie comportait vingt formats d'environ 3,30 m sur 2,60 chacun qui célébraient les campagnes militaires menées par Louis XIII et son cardinal, de 1627 à 1636. Ils servirent de modèle pour le Grand Condé à Chantilly, pour le duc de Lorraine à Lunéville et pour Louis XIV au réfectoire des Invalides et à Versailles. Sur ces vingt œuvres, douze existent toujours. Trois sont en bon état et sont présentées au château de Versailles depuis que Louis-Philippe y a créé un musée d'histoire de France. Les neuf autres, trop encombrantes, n'ont encore jamais été vues par le grand public. Dans les réserves du château, mal protégées, elles se sont délabrées.

Le départ en 2007 de la questure de l'Assemblée nationale et du Sénat ayant libéré les anciens appartements du comte de Provence dans l'aile du Midi, un atelier de belle hauteur de plafond et bien éclairé a pu y être aménagé. C'est ici que Le Siège de l'île de Ré, La Réduction de Nîmes, La Soumission de Montaubanou La Levée du siège de Casal sont actuellement nettoyés, complétés et rentoilés sur des châssis assainis.

L'opération, dont le coût dépasse les 377 millions d'euros, est financée par des mécènes comme le Crédit agricole et la Fondation du patrimoine, une souscription publique, le Musée des beaux-arts d'Orléans, celui de Tours et la ville de Richelieu. Ces trois dernières institutions ont prévu d'organiser en mars une triple exposition sur les décors et collections du cardinal acquis et commandés pour l'ornement de son château familial tourangeau, développé sur les plans de Jacques Lemercier en 1631.

Richesses d'Europe 

Y seront bien sûr montrés les neuf tableaux de batailles mais aussi quelques-unes des pièces les plus insignes du fonds de peintures, de sculptures, d'objets d'art et de mobilier qui forment aujourd'hui le cœur du patrimoine conservé au Louvre. Les prêts demandés sont ambitieux. À Richelieu, le cabinet du roi abritait les Mantegna, Pérugin et Lorenzo Costa provenant du studiolo d'Isabelle d'Este à Mantoue, ainsi que les Bacchanales de Poussin (qui sont aujourd'hui à la National Gallery de Londres et à Kansas City).

Quant aux antiques (deux cents statues et bustes environ) réunis pour occuper les niches des façades, ils constituaient l'une des toutes premières richesses d'Europe, avec notamment Les Esclaves de Michel-Ange. Après l'exposition, l'établissement public du château de Versailles demeurera propriétaire de ses neuf batailles restaurées mais il a accepté une mise en dépôt de longue durée dans les musées organisateurs de cette manifestation.

L'exposition «Richelieu à Richelieu» sera présentée simultanément par les Musées des beaux-arts d'Orléans et de Tours et la ville de Richelieu du 11 mars au 12 juin 2011. Informations : www.musees.regioncentre.fr

Data on the town

http://www.habitant-ville.info/habitant/37120-RICHELIEU.php

This site has all sorts of data on the town of Richeleiu,

including the phone directory for all the inhabitants.

Give it a whirl!

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The Wallace Collection 3

Three paintings much in the taste of the cardinal duc 

and his collection at le château.

Nicholas Poussin - 'A Dance to the Movement of Time'

"These classical projections, and something from the fire, suddenly suggested Poussin's scene in which the Seasons, hand in hand and facing outward, tread in rhythm to the notes of the lyre that the winged and naked greybeard plays. The image of Time brought thoughts of mortality: of human beings, facing outward like the Seasons, moving hand in hand in intricate measure, stepping slowly, methodically sometimes a trifle awkwardly, in evolutions that take recognizable shape: or breaking into seemingly meaningless gyrations, while partners disappear only to reappear again, once more giving pattern to the spectacle: unable to control the melody, unable, perhaps, to control the steps of the dance."

Anthony Powell - 'A question of upbringing'

A nativity by Phillipe de Champaigne with a neo-classical cabinet & statue

A fragment of another canvas by Philippe de Champaigne with an urn.

The Wallace Collection

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The Wallace Collection 2 - S.V.P

S'il vous plait - if you please - Societé Vincent de Paul.

When the cardinal-duc founded our little town, he put the souls of the new inhabitants in the hands of his contemporary chum, Vincent de Paul 1581-1660, later canonised 'Saint' Vincent in 1737.  De Paul visited and stayed in the cité idéale in its early days, maybe to ensure the solidity of congregation in the agenda of the Counter-Reformation following the Council of Trent.  This part of France is quite close to the Vendée and the Charentes of La Rochelle,  fountain and battleground of Hugenot heresy.

The venerated ecclesiastic is still a strong influence in the Roman Church and the inspiration of many Vincent de Paul Societies, even a university in Chicago!

On visiting the Wallace Collection in Manchester Square London to look for famous works of French art, we spied this van of the London Branch of the S.V.P 'helping locally', 'turning concern into action'.

Well done big Vince!

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Paul Delaroche's two pictures at the Wallace Collection, London

The Wallace Collection, located just north of Oxford Street in central London, has a huge and impressive collection of French art and artefacts.  Among them are these two famous 19th century interpretations of famous historical scenes painted by Paul Delaroche.  

The first canvas was the inspiration of the book 'Cinq Mars' by Alfred de Vigny.

CLICK HERE

The cardinal's barge leads Cinq Mars and de Thou down the Rhone to their execution on the scaffold in Lyon.

The deathbed of Cardinal Mazarin in 1671.

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le retour

The movie celebrates the return to Richelieu of Janet, to be welcomed by a large company.

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Restoration of the 12 canvases - a program from TF1

Les toiles de Richelieu à l'heure de la restauration

For a site that describes the contribution of the bank Crédit Agricole.

CLICK HERE