Inspired by this blog above, the old Abbé Henri Proust has made a short trip to the National Gallery in London to post about all those lovely canvases on subjects close to the passions of his new friend Chantal. 
Chantal herself  is actually a daughter of the Cité Ideale and has taken her native affection for the seventeenth century to the city that was never far from the political concerns of Armand-Jean himself,
MADRID.
MADRID.
Maybe she can find some imagery of cardinal duc's opposite number in Madrid
in the court of Phillip IV, The Count of Olivares…..'el conde-duque'
in the court of Phillip IV, The Count of Olivares…..'el conde-duque'
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Meanwhile three royal courts; three court painters
- Philippe de Champaigne - for Louis XIII of France and Navarre
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| Triple portrait produced for the Roman sculptor Bernini to inform the making of his marble bust of Armand Jean | 
- Diego Velázquez - for Phillip IV of Spain
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| by son-in-law Juan Bautista Martínez del Mazo | 
- Anthony Van Dyke - for Charles 1st of England
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| "…..his eyes follow you round the room." | 
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| (Both boys were later killed in the English civil war, on the Royalist side) | 
- And finally, the good Abbé's favourite son of France, Nicholas Poussin
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| An unusual un-faded canvas by Poussin showing his original coloration | 
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1 comment:
Un beau billet Abbé Henri Proust,
En effet le conde duque de Olivares vécut à la même époque que le cardinal de Richelieu.
Durant la guerre de 30 ans en 1635, le cardinal Richelieu déclara la guerre à l´Espagne dans les Pays-bas espagnols.
Le comte duc de Olivares était ministre du roi Felipe IV à cette époque.
Coïncidence, je suis en train de lire la biographie du conde duque de Olivares écrite par Gregorio Marañon.
Passionnée par le personnage du comte duc de Olivares et l´écriture, la documentation de l´auteur de cette biographie.
Bien cordialement.
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